Film Noir Collection (Amazon Exclusive Collection)

Film Noir Collection (Amazon Exclusive Collection)



Reviews

THE HITCHHIKER – 1953

DIRECTOR – IDA LUPINO

STARRING – EDMOND O’ BRIEN & FRANK LOVEJOY
SUDDEN FEAR – 1952

DIRECTOR – DAVID MILLER

STARRING JOAN CRAWFORD, JACK PALANCE & GLORIA GRAHAME
HANGMEN ALSO DIE – 1943

DIRECTOR – FRITZ LANG

STARRING BRIAN DONLEVY, ANNA LEE & DENNIS O’KEEFE
STRANGE IMPERSONATION – 1947

DIRECTOR – ANTHONY MANN

STARRING BRENDA MARSHALL & WILLIAM GARGAN
THE LONG NIGHT – 1947

DIRECTOR – ANANTOLE LITVAK

STARRING HENRY FONDA, BARBARA BEL GEDDES & VINCENT PRICE
THEY MADE ME A FUGITIVE – 1947

DIRECTOR – CAVALCANTI

STARRING TREVOR HOWARD
RAILROADED – 1947

DIRECTOR – ANTHONY MANN

STARRING JOHN IRELAND & HUGH BEAUMONT
BEHIND LOCKED DOORS – 1948

DIRECTOR – BUDD BOETTICHER

STARRING RICHARD CARLSON & LUCILLE BREMMER

From Amazon.com

Lain Complete Collection 4 Pak

Lain Complete Collection 4 Pak (Amazon.com Exclusive)
Starring: Bridget Hoffman, Shô Hayami



Reviews

Disturbing, perplexing, sometimes infuriating, Ryutaro Nakamura's serial experiments lain covers some of the same themes as The X-Files and the films of David Lynch. When introverted 13-year-old Lain receives an e-mail from a dead classmate, she gains access to "the Wired," a virtual world that promises unlimited power to those who can exploit it. Gradually the borders between the real and the virtual blur, and Lain's own identity begins to fade and fragment. Her parents tell her that she is not really their child, her online self grows in power and independence, and shadowy organizations pursue her in both worlds. Finally she begins to realize that she is either reality's only hope, or its worst enemy.

Nakamura keeps the pace of serial experiments lain deliberately slow, imbuing the early episodes with a sense of mounting dread that pays off as the plot develops. The anime technique of panning across static images creates a meditative stillness that works perfectly, and the repetition of certain key images gives them a dreamlike significance. Viewers will either love or hate the complex plot, which seems intent on incorporating every possible paranoid conspiracy, from sinister nanotechnology to alien plots. However--unlike many other anime--it somehow hangs together, and frankly not understanding everything is part of the pleasure of this kind of story. Fans of action-heavy anime and people who like every loose end tied up should steer clear, but those who surrender themselves to the slowly unfolding mysteries of the plot will be amply rewarded. --Simon Leake

From Amazon.com

Foyle's War: Sets 1-5 Bundle

Foyle's War: Sets 1-5 Bundle (Amazon.com Exclusive)
Series: Foyle's War



Reviews

Foyle's War - Set 1

Foyle's War is the rare mystery series that does more than plop a good detective into the middle of a decorative and bygone era. Created by writer Anthony Horowitz, Foyle's War makes profoundly resonant use of British society in 1940, a terrifying time in which the threat of an Axis assault on England disrupted ordinary life in often horrible ways, from the resettlement of city children (into the care of rural strangers) to a spike in xenophobia to a loss of personal freedoms. Against this heady backdrop is the near-solitary figure of Detective Chief Superintendent Christopher Foyle (Michael Kitchen), a London investigator who would rather be fighting Hitler abroad but is stuck solving domestic homicides--generally sparked by wartime fervor--with the help of a plucky driver (Honeysuckle Weeks) and a steadfast assistant (Anthony Howell). Kitchen's magnificently measured performance and Horowitz's masterful grasp of the moral and dramatic issues of his battle-scarred milieu make Foyle's War a must. --Tom Keogh



Foyle's War – Set 2

Product Description

The critically acclaimed PBS series that weaves mystery with real historical events returns with four stories set in September and October 1940. Winner of the Audience Award at the British Academy of Film and Television Arts in 2003, the series stars Michael Kitchen (Proof of Life) as quietly enigmatic detective Christopher Foyle whose territory on the south coast of England is rocked by the chaos and danger of World War II.



Foyle's War - Set 3

Foyle's War - Set 3, another great suite of mysteries largely written by series creator Anthony Horowitz, finds Detective Chief Superintendent Christopher Foyle (Michael Kitchen) presented with his best opportunity to do what he has wanted to do since the outbreak of World War II: take a hiatus from sleuthing to join Britain's intelligence campaign against the Nazis. But there's a problem, as Foyle learns in Set 3's first mystery, "The French Drop." The circumspect detective investigates the suspicious death of a young operative whose father, a highly placed intelligence officer, objects to Foyle rooting around top-secret projects. "The French Drop" is particularly fascinating for Foyle's dangerous visit to a government operation that trains agents to employ assassination and dirty tricks in their work. Meanwhile, Foyle's right-hand man, Sgt. Milner (Anthony Howell), looks into an elaborate deception designed to throw Foyle and company off the case.

"Enemy Fire" is also a fine story, featuring Foyle's heroic son, Andrew (Julian Ovenden), a Spitfire pilot for the RAF and a man about to crack from combat stress. Andrew's problems are set against the possible murder of a despicable man whose carelessness as a mechanic caused the severe burning of another pilot. "Enemy Fire" also outs Andrew's romance with Sam Stewart (Honeysuckle Weeks), Foyle's straight-arrow driver, to the unsuspecting Foyle himself. "They Fought in the Fields" marries several phenomena about Britain's wartime experience--among them the capturing of German pilots on English ground and the hard work of "land girls" (women put to work on farms)--in a thriller about the death of a farmer. A nice bonus: longtime widower Foyle grows interested in a woman who appears, despite a seemingly low opinion of men, interested in him. Finally, "A War of Nerves" deals with the hard work of "sappers," soldiers who defuse unexploded German bombs, and the sad reality of black marketeers who steal supplies badly needed for the war effort. Foyle also looks into, against his wishes and principles, the work of a socialist activist who makes a compelling case that the war is suppressing workers' rights. As with previous sets, this one is superb in its depiction of little-known facts about World War II's effects on civilian life in Britain. Michael Kitchen, heading a superb cast, continues to make Foyle one of the most interesting English detectives of all time, a figure of unimpeachable integrity. --Tom Keogh



Foyle's War - Set 4

The excellent Foyle's War returns with four episodes (each on its own disc) that first appeared on television in 2006 and '07. As before, the show's "history meets mystery" tagline pretty much sums it up, as Detective Chief Superintendent Christopher Foyle solves murders and various other heinous crimes in and around bucolic Hastings, England, while World War II rages on at home and abroad. "Invasion," the first episode, marks the arrival of American forces in 1942, not long after Pearl Harbor. Not all the locals are thrilled to see them; disparaging remarks about the G.I.s showing up "late" are common, and many a stiff upper lip curls at the Yanks' brash, boisterous behavior. Thus when a Hastings barmaid turns up strangled at a dance arranged by the Americans to get to know their hosts, fingers are quickly pointed at the "invaders." But Foyle and his assistants, Sgt. Paul Milner (Anthony Howell) and driver Samantha "Sam" Stewart (the delightfully named Honeysuckle Weeks), have other suspects, and the detective, who comes on a bit like Columbo without the trench coat and other idiosyncrasies, manages to sort through them while somehow keeping the Brit-Yank enmity from festering and dealing with the deadly effects of the illegal "hooch" the barmaid and her employer were brewing.

This balance of deftly intertwined elements typifies a series in which each installment is essentially a 90-minute movie; in "Bad Blood," murder, romance both illicit and international, and the appalling specter of Britain's experiments with biological weapons like anthrax are all on the bill, while gambling, sabotage, personal tragedy, and yet more murder feature in "Bleak Midwinter" and "Casualties of War." The mysteries aren't especially confounding; what the quietly persistent Foyle does is less interesting than how he does it. And while it's set in wartime, the war and its impact on the English (who endure the death and injuries visited upon their young men, along with shortages of gas, electricity, and such) is more often a backdrop than a central focus. Each disc includes a several pages of often fascinating text about the "historical truth" behind a given episode, while other bonus features include cast filmographies and a brief "making of" documentary on disc 1. All in all, while it may not appeal to fans of the fast-paced, effects-laden cop procedurals popular on American TV, Foyle's War is a classy production, well written (by creator Anthony Horowitz), nicely photographed, and well worth the investment of both time and money. --Sam Graham



Foyle's War - Set 5

No one was unhappy when World War II ended, but the demise of Foyle’s War is something else entirely. For fans of this first-rate British murder mystery series, set against the backdrop of that epic conflict, Set 5 represents something of a reprieve; although Detective Chief Superintendent Christopher Foyle (Michael Kitchen) retired at the end of Set 4, circumstances force him to return to action in "Plan of Attack," the first of three 90-minute episodes (each on its own disc) offered here. But by the end of this set, the war is over and Foyle has eased back into retirement. That’s lamentable. Smartly conceived and often quite masterfully executed, this show will certainly be missed. "History meets mystery" has been the concept from the beginning, as the low-key (like Peter Falk’s Columbo, he knows much more than he lets on), unfailingly decent Foyle and his assistants, Sgt. Paul Milner (Anthony Howell) and driver Samantha "Sam" Stewart (Honeysuckle Weeks), solve murders and various other crimes in and around bucolic Hastings, England, while WWII rages on at home and abroad. But this time out, the war provides much more than context, as the murders tend to be directly related to it. What’s more, Set 5 affectingly deals with combat’s heavy emotional psychological toll. It’s a burden we see carried by the cartographer who can’t bear knowing that his work is helping to kill innocent German civilians (in "Plan of Attack"); by the maimed former POW struggling to readjust to life at home, the teenager whose job it is to deliver bad news telegrams to soldiers’ families, and the Jewish doctor, a refugee from Poland, whose survivor’s guilt leads him down a very dark path (all three in "Broken Souls"); and even by Foyle’s own son (Julian Ovenden, in "All Clear"). OK, so the mysteries may not be all that mysterious--perceptive viewers will have little difficulty identifying the culprits. But with its multi-layered storytelling (the scripts were written by creator Anthony Horowitz) and fine production values (the cinematography, editing, and music are all excellent), Foyle’s War is a whodunit that’s both a prime example of its genre and thoroughly successful on its own unique terms. Bonus features include a brief "making of" featurette and cast filmographies. --Sam Graham

From Amazon.com

Bad Education / Flower of my Secret / All About My Mother / Talk to Her

Pedro Almodovar 4-pack (Bad Education / Flower of my Secret / All About My Mother / Talk to Her) - Amazon.com Exclusive (1996)
Starring: Pedro Almodóvar



Reviews

# Actors: Pedro Almodóvar
# Format: NTSC
# Language: Catalan, English, French, Latin, Spanish

From Amazon.com

Pink Panther 2

Pink Panther 2 [Blu-ray]
Starring: Steve Martin, Jean Reno



Reviews

"Let me bring you up to speed. We know nothing. Now you are up to speed." Thus is the bumbling, deadpan persona of Inspector Clouseau, as re-invented by Steve Martin, best summed up. In this sequel to the 2006 remake of the classic Peter Sellers films, Martin gets crisper direction and a smarter script than he did the first time out. Martin, to his great credit, has never been afraid to make himself look foolish or to take pratfalls--and if the viewer finds these remakes to be less satirical than the original Sellers films, he will still be letting our great laughs and chuckles through the course of the film. And what a cast! Martin is joined by John Cleese, Jeremy Irons, Lily Tomlin, Jean Reno, Bollywood superstar Aishwarya Rai, Emily Mortimer, Alfred Molina, and Andy Garcia--all of whom seem to be having a delightful romp--a feeling that’s contagious. The story picks up where the last film ended, with Clouseau’s having saved the precious Pink Panther diamond in Paris. Since then, Clouseau has been reassigned to parking-ticket duty, to keep him off the frayed nerves of Chief Inspector Dreyfus (Cleese). But a band of international thieves is wreaking havoc on the world’s treasures, and, before you can say minkey, the priceless Pink Panther goes missing, again. If plot’s a bit predictable, it’s no matter, since the phun is in the haplessness of Clouseau and the rings of nuclear fallout that surround him. And you may never pronounce hamburger the same way. Evair!--A.T. Hurley

From Amazon.com

Love Is Colder Than Death / Gods of the Plague / Fear of Fear / Chinese Roulette

Fassbinder 4-Pack (Love Is Colder Than Death / Gods of the Plague / Fear of Fear / Chinese Roulette) (Amazon.com Exclusive)
Starring: Rainer Werner Fassbinder



Reviews

Love Is Colder Than Death
The first feature in the frantic career of Rainer Werner Fassbinder is, like Godard's debut Breathless, a nod to the traditional gangster movie. This time, however, the tough-guy attitudes are imparted to a trio of typical Fassbinder losers, slouching about in the drab underworld of Munich. They are played by Alain Delon lookalike Ulli Lommel (who poses in a trenchcoat and film noir fedora), Fassbinder himself, and the director's blond goddess Hanna Schygulla. The film works hard to subvert conventional notions of movie storytelling, with lots of loooong pauses and stylized gestures--and as such, feels more like a trial run than a full-blown Fassbinder meisterwork. But everywhere, in the insolent opening shot or the final thrilling cut from car interior to bleak landscape, you can sense the utter confidence that burbled out of this gifted German: he was only 23, and he was going places in a hurry. --Robert Horton

Gods of the Plague
The short-lived skyrocket named Rainer Werner Fassbinder began his prolific directing career with a burst of rule-breaking movies in 1969-70. Gods of the Plague, from that early eruption, is a kind of homage-deconstruction of the American crime movie, in the same vein as RWF's Love Is Colder Than Death and The American Soldier. An ex-con (zonked-out Harry Baer in an ankle-length leather jacket) wanders through grungy Munich, on an eventual collision course with a botched supermarket robbery. The film has virtually no narrative momentum, and carries the cheeky attitude of experimental theater--the movie stops cold as the hero listens to a German nonsense song in its entirety. Yet from the first five minutes you can sense the eye of a great filmmaker behind the exquisitely poised camera (clearly influenced in this one by the anything-goes spirit of early Godard). Fassbinder regulars Hanna Schygulla and Gunther Kaufmann are especially good here. --Robert Horton

Fear of Fear
If not among the better-known films by the gifted German director Rainer Werner Fassbinder, Fear of Fear is nevertheless an absolutely characteristic work. A housewife, locked into a dull life with her distracted husband and two small children (plus nattering mother-in-law and sister-in-law living in the apartment upstairs) finds herself seized by uncontrollable anxiety. Although the wife has an affair with a doctor, there is little conventional melodrama; instead, Fassbinder strips away plot mechanics in favor of a complete identification with the woman's mysterious angst. The central role is tailor-made for one of RWF's favorite leading ladies, Margit Carstensen, whose regal cheekbones and elegant air belie the instability beneath the skin. Fassbinder's eye is exacting--the apartment is a dead-on purgatory of bourgeois nothingness--and his framing shows the influence of his Hollywood idol, Douglas Sirk. This is a small work in the bulging Fassbinder canon, but it's impeccably realized. --Robert Horton

Chinese Roulette
An elegantly baroque exercise from the middle of his brief and brilliant career, Chinese Roulette finds Rainer Werner Fassbinder exploring the sinister side of a weekend in the country. At an isolated mansion, a husband and wife bump into each other--with their lovers in tow. Their lame daughter shows up with her mute nanny, adding to the tension, and the festivities culminate in a spiteful truth-telling game. Fassbinder choreographs the claustrophobic action as though it were Last Year at Marienbad filmed as soap opera parody, with glittering contributions from cinematographer Michael Ballhaus and RWF's longtime composer, Peer Raben. It's fun to watch, although the decadent sense of a snake chasing its tail ultimately makes this one feel like minor-league Fassbinder. Along with stock-company regulars Margit Carstensen and Brigitte Mira, the cast includes a pair of former Godard heroines (still looking stunning), Anna Karina and Macha Meril. --Robert Horton

From Amazon.com

Alias - The First Three Complete Seasons

Alias - The First Three Complete Seasons (Amazon.com Exclusive) (2001)
Starring: Jennifer Garner, Ron Rifkin



Reviews

Alias: The Complete First Season - English/Spanish DVD- Golden Globe Award-winning actress Jennifer Garner (Best Actress In A Television Series, 2002) is Sydney Bristow. Syd's not exactly your average grad student. Her life might appear normal, but she's hiding a secret life working as a spy for the CIA. Sydney's world is turned upside down when she learns she may work for the very enemy she thought she was fighting. Now she's entangled in a covert lifestyle where she is forced to question the allegiances of everyone, including those closest to her. Entertainment Weekly says ALIAS is "a spy-fi roller coaster of killer gadgets, double roundkicks, triple crosses, poignant confessionals, cliff-hangers, sliced-off fingers, conspiracies, outrageous outfits, exotic locales, flirtations, mythologies -- and that's just before the first commercial break." Now see the 22 mesmerizing episodes that launched it all in this 6-disc set. You'll also experience never-before-seen extras that give you special access inside the world of ALIAS. See the show everyone has been talking about that has redefined series television. This edge-of-your-seat collection with its heart-pounding action of unpredictable plot twists will have you gasping for air and begging for Season 2! Alias: The Complete Second Season - English/Spanish DVD - The action gets even hotter in ALIAS' sensational second season. Double agent Sydney Bristow faces the greatest challenge of her life when her mother, an enemy long thought dead, turns herself in to the CIA. As family relationships change and Sydney's friends take on new roles, her life becomes even more tangled and dangerous. It's "like watching a 2,000-piece puzzle assembled before your eyes," says Entertainment Weekly. Experience all 22 scintillating episodes of season two with exclusive bonus features that take you inside the world of ALIAS. Your favorite characters are back, joined by special guest stars, as Sydney fights to reclaim her life and the action builds to a spectacular climax. "Think Bond with feelings, Dostoyevsky with smart bombs," says GQ Magazine. This comprehensive six-disc collection will have you hooked from episode one's incredible start to the season's stunning final minute. Alias: The Complete Third Season - DVD - The mystery and excitement reach unimaginable heights in ALIAS' spectacular third season. Special Agent Sydney Bristow awakens to an all-new world of intrigue from the very first moment of episode one, and her life is turned upside down as the action accelerates through the season's final frame. It's "pure, crazy, spy-fantasy fun" raves the Boston Globe. Enjoy all 22 episodes in this amazing six-disc collection and get inside the action with a world of exclusive bonus features. "In its third season, this ABC series rewrites all the rules -- successfully" says the New York Daily News. It's addictive television at its best.

From Amazon.com

Weeds - Seasons

Weeds - Seasons 1-3 [Blu-ray] (Amazon.com Exclusive) (2005)
Series: Weeds



Reviews

Season One
With its fantastic comedy series Weeds, cable network Showtime finally gave up its also-ran status to HBO and found itself with a controversial, buzz-worthy show that was as hilarious as it was dark, one about a truly desperate housewife. A recent widow with two growing sons, Nancy Botwin (Golden Globe winner Mary-Louise Parker) looks like a typical resident of the affluent Southern California suburb of Agrestic. She keeps a clean, upscale house (with the help of a live-in maid), attends PTA meetings, goes to her kids' soccer games, makes frequent stops at the local coffee franchise.... and sells marijuana in order to make it all possible. Left with no way to support herself after her beloved husband's fatal heart attack, Nancy turns herself into the "suburban baroness of bud," dealing to her neighbors in the area, with the help of her supplier Heylia (Tonye Patano) and point man Conrad (Romany Malco). Nancy's clients run from the local councilman (Kevin Nealon) to the just-barely-legal students at the local community college, but many in Agrestic are still in the dark as to how she keeps her family afloat, including her best friend, the sardonic Celia (Elizabeth Perkins), a wife and mother whose blistering, withering put-downs could make Dorothy Parker cringe in fear. But like many small-business owners, Nancy yearns for more success and cash, and like her workaholic neighbors, finds keeping a balance between work life and home life to be extremely precarious at best.

While Desperate Housewives yearned to be a suburban satire with bite, Weeds was the real deal, skewering upper-middle class mores with a sharp eye, a keen wit, and a mostly forgiving heart. In episode after episode, the show's creative team (led by creator Jenji Kohan) pulled back the layers of Agrestic's superficiality to show what lies beneath the squeaky-clean exteriors and smiling faces; it turns out that hunger, fear, desire, and, yes, desperation aren't that far down. However, Weeds forsakes pulpiness and florid drama for biting yet affectionate humor--its heroine is a woman with sliding morals, but one you'll root for to the very end. The effervescent Parker, the only actress who can mix perkiness with morbidity in just the right amounts, anchored the show with her amazing turn as Nancy, who by the end of the first season had become a kind of soccer-mom version of Michael Corleone, entering a corrupt world with both trepidation and fascination--and totally enamored of the power it brought her. Also perfectly cast, Perkins found the role of a lifetime as the bitterly hilarious Celia, and entering the show in its fourth episode, Justin Kirk (Parker's co-star in Angels in America) proved to be a potent secret weapon as Nancy's brother-in-law Andy, a slacker who wasn't above peddling t-shirts to elementary school kids. As icky as these characters might appear on the surface, Weeds made them all immensely appealing and great company to be around. Don't say we didn't warn you: one hit and you'll be hooked on this show. The DVDs feature six episode commentaries with cast and crew, outtakes, original featurettes, a music video, and most enjoyably, Agrestic Herbal Recipes (for entertainment value only, we assume) and the "Smoke and Mirrors" marijuana mockumentary. --Mark Englehart

Season Two
The first season of Weeds ended with a shocker: Nancy (Mary-Louise Parker) found a dreamy new boyfriend, but he turned out to be a DEA agent (Martin Donovan). Luckily, she manages to find some pretty creative ways to "deal" with it. Despite that new obstacle, she decides it’s also time to "grow" the business to higher levels, and all these risky moves lead up to another fabulous season finale cliff-hanger. Elsewhere in suburban utopia, comic relieving brother-in-law Andy (Justin Kirk) tries to dodge his army commitments by joining Rabbi school, while the hilarious Doug (Kevin Nealon) battles it out with Celia (Elizabeth Perkins) to maintain power over the Agrestic City Council. Plot aside, Season 2 of Weeds took this potentially great show to the next level. No matter how hard they tried in the first season, the show’s makers had a heck of a time trying to shake the impression that they were mimicking the edginess of HBO’s original programming. (Some might have gone as far as to say they were trying a little too hard.) This time around, the characters and the story have grown into their own skins, and they offer something much more authentic and convincing. The second season also starts a great new tradition: Malvina Reynolds ‘s "Little Boxes" is still the opening theme song, but it is performed by a different artist for each episode (from Elvis Costello to The Shins). Just one more thing to keep us "addicted." --Jordan Thompson

From Amazon.com

Robocop / Predator / Terminator

Blu-ray Action Bundle (Robocop / Predator / Terminator) - (Amazon.com Exclusive) [Blu-ray]
Starring: Robocop, Predator



Reviews

Robocop
When it arrived on the big screen in 1987, Paul Verhoeven's RoboCop was like a high-voltage jolt of electricity, blending satire, thrills, and abundant violence with such energized gusto that audiences couldn't help feeling stunned and amazed. The movie was a huge hit, and has since earned enduring cult status as one of the seminal science fiction films of the 1980s. Followed by two sequels, a TV series, and countless novels and comic books, this original RoboCop is still the best by far, largely due to the audacity and unbridled bloodlust of director Verhoeven. However, the reasons many enjoyed the film are also the reasons some will surely wish to avoid it. Critic Pauline Kael called the movie a dubious example of "gallows pulp," and there's no denying that its view of mankind is bleak, depraved, and graphically violent. In the Detroit of the near future, a policeman (Peter Weller) is brutally gunned down by drug-dealing thugs and left for dead, but he survives (half of him, at least) and is integrated with state-of-the-art technology to become a half-robotic cop of the future, designed to revolutionize law enforcement. As RoboCop holds tight to his last remaining shred of humanity, he relentlessly pursues the criminals who "killed" him. All the while, Verhoeven (from a script by Edward Neumeier and Michael Miner) injects this high-intensity tale with wickedly pointed humor and satire aimed at the men and media who cover a city out of control. --Jeff Shannon


Predator
Rambo meets Alien in this terrific science-fiction thriller from 1987, directed by John McTiernan just a year before Die Hard made him Hollywood's most sought-after director of action-packed blockbusters. Arnold Schwarzenegger leads an elite squad of U.S. Army commandos to a remote region of South American jungle, where they've been assigned to search for South American officials who've been kidnapped by terrorists. Instead they find a bunch of skinned corpses hanging from the trees and realize that they're now facing a mysterious and much deadlier threat. As the squad is picked off one by one, Arnold finds himself pitted against a hideous alien creature that's heavily armed and wearing a spacesuit enabling the creature to render itself invisible. The title says it all in describing the relentless, escalating action that follows, maintained by McTiernan with an abundance of visual flair. The film's special effects are still impressive, and stunning locations in the Mexican jungles create a combined atmosphere of verdant beauty and imminent danger. The plot doesn't hold up to much scrutiny, but the movie's so exciting and tightly paced that its weaknesses seem irrelevant. --Jeff Shannon


Terminator
This is the film that cemented Schwarzenegger's spot in the action-brawn firmament, and it was well deserved. He's chilling as the futuristic cyborg who kills without fear, without love, without mercy. James Cameron's story and direction are pared to the bone and all the more creepy. But don't overlook the contributions of Linda Hamilton, who more than holds her own as the Terminator's would-be victim, Sarah Connor--thus creating, along with Sigourney Weaver in Alien, a new generation of rugged, clear-thinking female action stars. It's surprising how well this film holds up, and how its minimalist, malevolent violence is actually way scarier than that of its far more expensive, more effects-laden sequel. --Anne Hurley

From Amazon.com

Dexter: The Complete Third Season [Blu-ray]

Dexter: The Complete Third Season [Blu-ray]
Series: Dexter



Reviews

By Melissa Niksic (Chicago, IL United States)

"Dexter" never disappoints! As a big fan of the show, I was concerned how Season 3 would play out now that one of my favorite characters, James Doakes, is out of the picture. I never should have worried, because the third season of "Dexter" was just as fabulous as the first two. This season mainly focuses on Dexter's (Michael C. Hall) personal relationships. He's working through some major issues with his deceased father, Harry (James Remar), and his relationship with Rita (Julie Benz) takes a surprising turn when she announces that she's pregnant with Dexter's child. All of these emotions cause Dexter to turn to an unlikely person...Assistant District Attorney Miguel Prado (Jimmy Smits), who takes a liking to Dexter and makes it his personal mission to become Dexter's BFF. No one is more surprised by this than Dexter, who discovers that he has more in common with Miguel than he possibly imagined. For the first time in his life, Dexter has a friend whom he can rely on and share (some) of his dirty little secrets with. After a while, however, Dexter realizes that there's much more to Miguel than he originally thought, and decides that the ADA may not be BFF material after all.

This is a great season chock full of twists, turns, and excitement. In addition to Dexter's storyline, there are great subplots involving a new serial killer ("The Skinner"), Deborah's (Jennifer Carpenter) relationship with a CI, Angel's (David Zayas) recovery from his divorce, and Maria's (Lauren Velez) coping with the death of her former partner in Season 2. I am always impressed by the way this series constantly surprises its audience and keeps evolving these dynamic characters. The whole concept of Dexter making a friend was so simple, and yet carried the entire season extremely well (thanks in part to an outstanding performance by Smits). My one complaint about Season 3 is that it's already over, and I have to wait a long time before the arrival of Season 4! However, I have a feeling it will definitely be worth waiting for.

From Amazon.com

Dexter: Season 3

Dexter: Season 3
Series: Dexter



Reviews

By Melissa Niksic (Chicago, IL United States)

"Dexter" never disappoints! As a big fan of the show, I was concerned how Season 3 would play out now that one of my favorite characters, James Doakes, is out of the picture. I never should have worried, because the third season of "Dexter" was just as fabulous as the first two. This season mainly focuses on Dexter's (Michael C. Hall) personal relationships. He's working through some major issues with his deceased father, Harry (James Remar), and his relationship with Rita (Julie Benz) takes a surprising turn when she announces that she's pregnant with Dexter's child. All of these emotions cause Dexter to turn to an unlikely person...Assistant District Attorney Miguel Prado (Jimmy Smits), who takes a liking to Dexter and makes it his personal mission to become Dexter's BFF. No one is more surprised by this than Dexter, who discovers that he has more in common with Miguel than he possibly imagined. For the first time in his life, Dexter has a friend whom he can rely on and share (some) of his dirty little secrets with. After a while, however, Dexter realizes that there's much more to Miguel than he originally thought, and decides that the ADA may not be BFF material after all.

This is a great season chock full of twists, turns, and excitement. In addition to Dexter's storyline, there are great subplots involving a new serial killer ("The Skinner"), Deborah's (Jennifer Carpenter) relationship with a CI, Angel's (David Zayas) recovery from his divorce, and Maria's (Lauren Velez) coping with the death of her former partner in Season 2. I am always impressed by the way this series constantly surprises its audience and keeps evolving these dynamic characters. The whole concept of Dexter making a friend was so simple, and yet carried the entire season extremely well (thanks in part to an outstanding performance by Smits). My one complaint about Season 3 is that it's already over, and I have to wait a long time before the arrival of Season 4! However, I have a feeling it will definitely be worth waiting for.

From Amazon.com